中國宋代北方五大名窯之一。瓷窯遺址在河南禹縣境內(nèi)。20世紀(jì)60年代以來已發(fā)現(xiàn)窯址 100余處。其中鈞臺八卦洞窯燒造的瓷器，工精質(zhì)高，有代表性。禹縣鈞窯燒瓷始于唐，北宋晚期窯業(yè)鼎盛，金元時延續(xù)燒造，且對河南、河北、山西一帶窯業(yè)產(chǎn)生影響，形成一個燒制鈞釉產(chǎn)品的鈞窯系。

禹縣境內(nèi)的絕大多數(shù)瓷窯為民間窯業(yè)，主燒民眾生活日用的天藍(lán)、月白釉碗、盤、碟、罐、注、爐、缽等器物，兼燒磁州窯白地黑花、紅綠彩等品種。唯鈞臺八卦洞窯是北宋后期建立的燒造宮廷用品的官窯。品種有:天藍(lán)、天青、月白釉青瓷和紫紅色調(diào)的銅紅釉瓷;器類有宮廷陳設(shè)用的花盆、盆奩、洗、尊等。1974~1975年河南省博物館對禹縣八卦洞及鈞臺的古窯址進(jìn)行局部發(fā)掘，出土了數(shù)以千計的宮廷陳設(shè)瓷的殘品，其造型、釉色、燒造工藝及器底刻數(shù)字標(biāo)號等特點(diǎn)均與清宮舊藏并流傳至今的宋鈞窯陳設(shè)瓷相同。這類鈞窯陳設(shè)瓷，造型古樸端莊，釉色凝厚，或純凈典雅，或絢麗多彩，都有一種優(yōu)雅含蓄的美。如故宮博物院收藏的鈞窯月白釉出戟尊，高大規(guī)整的尊體，施凝厚的月白色乳光釉，古樸而典雅。臺灣故宮博物院收藏的同式出戟尊，施絢麗的紫紅釉，雍容而富麗。故宮博物院收藏的鈞窯天藍(lán)釉紅斑盤，在天藍(lán)色釉面上綴著幾片玫瑰色紫紅斑，宛如晴空上飄浮的彩云，如詩似畫般的動人。
2018年宋金時期鈞窯瓷器私下交易哪里好 咨詢熱線：(電話)
本公司近幾年對宋金時期鈞窯瓷器市場分析估價：
鈞窯花口碗--------------------價格：2,300,000----日期：2017-05-26
鈞窯斗笠碗--------------------價格：1,130,000----日期：2017-07-16
鈞窯窯變釉大花盆--------------價格：2,710,000----日期：2018-04-03
鈞窯鹿頭雙耳尊----------------價格：1,780,000----日期：2017-06-27
鈞窯天藍(lán)釉鼓釘紋三足洗--------價格：1,490,000----日期：2018-01-12
鈞窯宮以瓷有銘之不多。銘文有二：一則于火前刻于成體之，但“奉華”、“省符二銘?！胺钊A”為宋宮人，汝、定窯有此銘器；二曰清代造辦處玉作匠而刻之清宮殿名，以表器之設(shè)處，如“養(yǎng)心殿”、“重華宮”、“景陽宮”、“鐘粹宮”、“養(yǎng)心殿遂安用”、“養(yǎng)心殿明窗以”等。銘有橫、豎刻之分。橫刻者多為六宮之宮名也，豎刻者則物名六宮之配殿。又刻之瀛臺之“虛舟以”與“靜憩軒以”，及刻“永安寺悅生殿以”銘。除上所述，多見者于盆、奩、洗、尊等陳設(shè)器上刻“一”至“十”之?dāng)?shù)標(biāo)號。標(biāo)號多在燒出前刻在伾體。有少者在器成而補(bǔ)刻之。標(biāo)號多刻在器底，一刻之圈足盆內(nèi)，盆奩與三足洗類中有少數(shù)標(biāo)號同刻于器底與一足內(nèi)。數(shù)與器之大小相標(biāo)號。標(biāo)號“一”為始號即大號，至“十”為止號亦小號。每類器標(biāo)號大小之定都以器尺寸為準(zhǔn)，即高、徑、足徑三者大者刻大數(shù)號“一”，小者尺寸，刻少數(shù)號“十”。每類器物皆有十種大小異者型號。是故，鈞窯宮設(shè)瓷刻之?dāng)?shù)號為物大小之志，亦是器型號范化之志與計燒件之識，而有利于盆與盆奩器之偶用
宋代瓷器值多少錢，咨詢出手聯(lián)系：（同步）
近幾年宋金時期鈞窯瓷器市場行情價格：
鈞窯青釉紫斑缽----------------價格：2,270,000----日期：2018-02-16
鈞窯雙系罐--------------------價格：1,160,000----日期：2018-03-24
明初鈞窯玫瑰紫釉鼓釘三------價格：1,360,000----日期：2018-01-08
鈞窯鼓釘鼎--------------------價格：1,570,000----日期：2017-05-10
鈞窯瓶５００件----------------價格：2,080,000----日期：2017-04-18
Jun kiln belongs to the northern celadon system, but its glaze is unique. It is different from the transparent glaze composed of glass phase, but a typical glaze of two liquid phase separated glaze. Most of the product's glaze is a variety of thick, pale blue glaze of sky blue, blue light is known as the green, more light in the green is called the white, a few glazes are like bright blue luster, extremely beautiful. Blue glazed glaze is one of the most important features of Jun glaze. The purple red glaze of Jun kiln is more prominent. Red is the reduction and coloration of copper in glaze, and purple is the result of mutual fusion between red glaze and blue glaze. The purple red spot on sky blue glaze is caused by copper red glaze on sky blue glaze. Another characteristic of Jun glaze is that the glaze is marked with "earthworm walking mud", which is formed by applying thick glaze on the body burning the body, and the dry fissures appear when the glaze is dry or first burning, and then the low viscosity glaze in the high temperature phase flows into the texture of filling the crack. Jun kiln successfully fired the reduced copper red glaze, not only a great achievement of Jun porcelain technology, but also opened a new realm of ceramic aesthetics, which laid the foundation for the red, bright red, Lang kiln red, cowpea red and Ji red, which appeared in the yuan, Ming and Qing Dynasties.

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